Monday, November 10, 2014

The View from The Empress


November 10, 2014 -- Over the weekend, RBM attended the Western Literature Association's annual conference, hosted this year by the University of Victoria's Department of English at The Empress hotel on Vancouver Island. Along with panels ranging from indigenous literature to borderlands criticism, the four-day gathering featured a celebration of Washington novelist Jim Lynch's Border Songs (2009).

On Saturday, RBM read from a nonfiction collage, "Once More to Aurelia," which WLA named runner-up for best creative writing submission. Back in March, RBM read from the same manuscript-in-progress at this year's Native American Literature Symposium (PDF). Here's a brief excerpt from "Once More to Aurelia," and this year's full list of WLA award winners. (Thanks to Frederick Manfred, and all the award committee members!)
At the big gravel lot, the office is locked but Judy has left my keys under the mat, with a receipt and sorry we missed you scribbled in blue. Three months of parking out here on the edge of nothing has cost $212, for which I'm grateful, but only after checking the windshield. The cab lost some paint to last month's hailstorm, but at least the glass held out. So has the battery, but just barely. I power down the windows. I give the engine some gas. I whisper a prayer of thanks to Judy, and then something small and yellow begins dive-bombing the windshield, filling the nothingness with a sound I haven't heard in 20 years. It's coming from the driver's side mirror. Giant yellow wasps—streaming from the housing, pouring into the cab, knocking themselves silly against everything that shines in the August heat.
      I paw at the console, forcing one window back up, the other down. The old motors groan, sucking down the last of the juice from the hood. It seems to take a whole minute, but finally there's glass between me and the nest. I can see it more clearly now, wrapped around my reflection on three sides, each muddy cavity pulsing with a tiny angry missile. More or less exactly the picture of the Badlands that I carry in my mind’s eye. Welcome, says the sign on 44.
Congratulations, one and all! See you next year in Reno

Wednesday, February 26, 2014

#AWP14


Join RBM, other creative writers at the University of South Dakota, and friends for a reading tonight at the Festival of Language, now in its sixth year, at the Association of Writers and Writing Programs Conference in Seattle. RBM will open the off-site event at Rock Bottom, 1333 Fifth Avenue, at 5:00 p.m. Also on the roster: Anna March, Jenny Ferguson (also of USD), Leona Sevick, Koon Woon, Steve Halle, Margaret Rozga, Janèe J. Baugher, Wendy Vardaman, Karen Stefano, Midge Raymond, Kevin Allen, Thaddeus Rutkowski, Tom Bligh, Ken McPherson, Meg Tuite, Jane L. Carman (our fearless organizer), Robert Vaughan, Rebecca Goodman, Lily Hoang, Renee D’Aoust, Yuriy Tarnawsky, Holms Troelstrup, David Stevenson, Ewa Chrusciel, Derrick Harriell, Sara Henning (managing editor of SDR), Janice Lee, Martin Nakell, Debra Di Blasi, Len Kuntz, Daniel Nester, Alissa Nutting, Lance Olsen, Jonathan Penton, Lasantha Rodrigo, Michael Mejia, Bill Yarrow, Jen Knox, Su Smallen, Monica Storss, Joani Reese, Teniesha Kessler-Emanuel (also of USD), Holly Baker (also of USD), Kathryn Kysar, Kirk Nesset, Beth Gilstrap-Barnes, Brian W. Hedgepeth, Lee Goodman, and Christopher Allen. There's more information over at FestivalWriter.org and AWPWriter.org.

Saturday, February 08, 2014

Photo of the Day



February 8, 2014 -- The view from Portland, Oregon, and Day 3 of the winter storm few in Portlandia, not even William Riker, want to call "Orion."

Saturday, November 30, 2013

The Short-Short Storyteller




November 30, 2013 -- Before the year is out, a few pictures from this month's biannual John R. Milton Writers' Conference, hosted by the University of South Dakota English Department in Vermillion (above), and the 2013 Western Literature Association Conference held in Berkeley in October (below). RBM presented a critical paper, "The Short-Short Storyteller: Walter Benjamin and the Rise of Brief Prose," at both conferences. He also read from The Land of Infinite Variety, a nonfiction manuscript in progress, at the Milton Conference's panel on the genre: "'Traveling from Here to There': The Empathy of Writing Geography and Self," chaired by Dr. Fred Arroyo. Here's an excerpt from "The Short-Short Storyteller" along with a few slides from Berkeley:
Thus proceeds the magic, the aura, the spellbinding peculiarity of Benjamin’s essay. Its glimpses of the future of narrative prose and enduring proposals about its history continue to prompt vigorous dialogues that circle back upon themselves--testing out agreements, then proposing new theories of artistic production that collapse at odd moments, like an extended metaphor. And running parallel to this discourse is another, even stranger way of thinking about Benjamin: the counterfactual imagination, which has the doomed German critic showing up at a Dairy Queen in West Texas to diagnose Americans with collective memory loss, or moving to Los Angeles with contemporaries Adorno and Horkheimer to help write the history of urban decay. Perilously, we have embarked on yet another such inquiry, one that acknowledges the influence of Benjamin’s last days on literary criticism, but attempts to recover from the industry more valuable aspects of the cultural apprehension that foregrounds “The Storyteller.” My own essay undertakes a demonstration, more specifically, in stories by Etgar Keret, Sherman Alexie, and Brian Doyle, of certain enduring elements of narrative prose: brevity or compactness; accumulation, or the piling up of multiple tellings; practical wisdom derived from experience; and another feature we might call "indeterminacy," a kind of preservative against sudden extinction. Lastly, and perhaps most importantly for any expatriate who finds his way of conversing with the world confined to the page: orality, that "told out loud" quality of so many stories and novellas, from Robert Louis Stevenson ("the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island"), to the Russian masters ("each of us in turn had to tell something fantastic from his own life," begins Nikolai Leskov), and beyond.





Saturday, March 23, 2013

The View from Mystic Lake


March 23, 2013 -- This year's Native American Literature Symposium wraps up today at Mystic Lake, a casino, hotel, convention center, golf course, and RV park outside Minneapolis. The complex is owned and operated by the Shakopee Mdewakanton Sioux community. NALS 2013 featured a conversation with filmmakers Alex Smith and Chaske Spencer, a performance by world champion fancy dancers, and screenings of video essays, among other events. On Friday, RBM read excerpts from "The Land of Infinite Variety," a critical essay on tourism and travel writing in the Dakotas. Here's one of those excerpts and two slides from the presentation:
A scenario charged with appearances and a certain sense of wonder—that's where I want to begin this inquiry, recognizing that the men who hold sway On the Rez (2000) and across the Infinite West (2012), like their predecessors in “Indian Warning,” cannot help but regard the Other, to some degree, with ambivalence, that “troubled dream” which haunts Conrad, Naipaul, and Homi Bhabha’s other exemplars. I am to examine the traveler’s gaze, then, and also to show, as David Spurr has done in reference to Bhabha with The Rhetoric of Empire (1993), that such “terms of authority, once given voice, are far from having a direct and unambiguous effect”; that “colonial discourse in general is, at some level, always divided against itself”; and that this quality might even grant the postcolonial travelogue a measure of redemption.
On the left: Ian Frazier and Fraser Harrison

Wednesday, March 06, 2013

#AWP13


Join RBM and friends for a reading tonight at the Festival of Language, now in its fifth year, at the Association of Writers and Writing Programs Conference in Boston. RBM will open the off-site event at Dillon's, 955 Boylston Street, at 5:30 p.m. Also on the roster: Halvor Aakhus, Christopher Allen, Janee Baugher, Tom Bligh, Laura Bogart, Jane L. Carman, Ryan Clark, Ewa Chrusciel, Larry O. Dean, Debra Di Blasi, John Domini, Kate Dusenbery, Andy Farnsworth, Sarah R. Garcia, Ani Gjika, Rebecca Goodman, Steve Halle, Stephen Hastings-King, Quintus Havis, Gretchen Ernster Henderson, Deborah Henry, Lily Hoang, Tom Hunley, Len Kuntz, Anna Leahy, Michael Mejia, Martin Nakell, Kirk Nesset, Daniel Nester, Alissa Nutting, Theresa O’Donnell, Doug Rice, Thaddeus Rutkowski, Anita Schmaltz, Leona Sevick, Rob Stephenson, Ayara Stein, David Stevenson, Monica Storss, Yuriy Tarnawsky, Holms Troelstrup, Meg Tuite, Robert Vaughan, Sam Witt, and Bill Yarrow, with Dakota D. Carman providing music at intermissions. There's more information over at Facebook and AWPWriter.org.

Tuesday, January 29, 2013

500 Words on Arbor Day


January 29, 2013 -- RBM has new flash nonfiction, "500 Words on Arbor Day," featured online this week over at Hobart. So as not to give too much away, here's a (five-word) excerpt:
... There is talk of lightening ...
For more from this whiskey-friendly consortium, consider subscribing, buying a good book by a friend of this blog, or reading some of the journal's fine fiction in The Best American Short Stories 2012.

Monday, January 07, 2013

The View from Indian Beach


January 6, 2013 -- The view from Indian Beach and Oregon's Ecola State Park, where Lewis and Clark visited a beached whale in 1806, and later, Steven Spielberg's crew filmed much of The Goonies.

Thursday, January 03, 2013

The View from Wind River




December 30, 2012 -- Pictures from a perfect day along Washington's upper Wind River, where recreational access has returned to "normal" this season.

Tuesday, December 11, 2012

Kakorrhaphiophobia


RBM has a new short story, "Kakorrhaphiophobia," in the current issue of Otis Nebula. An excerpt:
This had happened once before, during his freelancing days in Washington, before he went back to teaching—in the vast, unfinished basement on Georgia Avenue that he’d shared with a luggage boy from the Marriott. Feral cats had ripped holes in their window screens. Benjamin awoke to the sound of his laundry money being poured into a sock. The boy’s brow was glistening, and he held a finger to his lips. Benjamin thought he was being robbed—was about to offer the boy some real money—when the sock took flight. It only hung near the water pipes for a half-second. Just long enough for something fast and brown to seize hold, then crash to the linoleum, where it flapped for a while. The boy said he’d used the same trick back home, in Nigeria. Benjamin wasn’t sure if it could be true, but it made his column that week—all about harmless Chiroptera, his place in literature and his good work in your backyard.
For more from ON6, check out this week's review from NewPages.com.